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Rather, each map posed new threats and more scrolls to find which, in turn, provided me with more powers to try and master. However, I never felt like I was repeating myself or going through the motions when starting a new area, even with the same two enemy types over and over. Mostly, though, the game is laid out for the player pretty early and the only real change between each new level is the deeper and more interesting scenarios. As the game progresses there are more curve balls thrown in – orbs that must be destroyed to lower light fields that can’t be passed and even a couple of actual bosses, which I never expected. Instead, they should be lured away into the shadows that empower Aragami and refill his meter, which is minimalistically shown on his hooded cape, as well as which ability is currently equipped and the number of uses it has left. Normal guards make things difficult by moving around a lot more – many times in groups or by bonfires whose light makes it easy to be seen and drains Aragami’s energy, stopping the player from quickly teleporting away.

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After taking some sort of high ground and assessing the area, it’s often the best course of action to try and take out the archers fist as their huge view distance often caught me unawares, especially with multiple archers covering the same area, making it hard to time even just a quick kill or two without at least drawing some attention, even if it’s not a full alert. It’s not too ludicrous to say that Aragami is actually a bit of a puzzle game when it comes to working out which order the surrounding targets should be eliminated. The player is given, not just a bunch of tools, but also a lot of secretive pathways and advantageous platforms to really tackle Aragami however they see best, whether it be with risky violence, graceful speed, or even taking it slow with a watchful patience. The developers clearly have a deep understanding of what makes this genre fun – the speed and action necessary, but also the patience required and the need to be acutely aware of one’s surroundings. Couple this modernised maneuverability with the multitude of skills that can be unlocked by finding scrolls throughout the levels, such as the kunai for hitting long-distance targets, or the passive ability to permanently mark targets, and it’s clear to see that Aragami is a labour of love. On the other hand, it blows Tenchu out of the water simply by being newer – the shadow mechanics alone are something that would have been difficult to accomplish back in the early 2000s, when Tenchu games were good.Įven something that might seem tame but is actually a serious necessity in a stealth game, like the draw distance, is way beyond what Tenchu had, and the agility of the teleportation removes the need for platforming – there isn’t even a jump button, trimming the fat and instead focussing entirely on the stealth, the way it should be. Whilst it does share many elements with Mark of the Ninja, which is widely considered one of (if not the best) stealth game out there, Aragami challenges the player with large, open expanses littered with guards and archers in the way only a 3D game can, as well as having the much more claustrophobic trials that Mark of the Ninja represents so well. Really, it can only be compared to the likes of Tenchu or Mark of the Ninja, but it’s still considerably removed from those titles, too.

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Using his dark powers to teleport through shadows and even create them when needed, he must search for artifacts to break Yamiko’s seal and free her people, all before the sun rises and he’s banished from whence he came. Aragami is a 3D stealth action game and the name of its protagonist – a kind of demon ninja who is summoned by Yamiko, a prisoner of the Light army.

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